Birchwood’s high-octane blues—at once deeply rooted, funky and up-to-the-minute—are played with passion and honest emotion. With his band feeding off his drive and exuberance, the striking 6’3″ young man with his trademark Afro roams the stage (often barefoot), ripping out memorable guitar licks with ease, his soulful, rocks-and-gravel vocals firing up the crowd. His ability to win over an audience—any audience—is proven night after night on the bandstand. With his warm, magnetic personality, Birchwood is as down-to-earth as his music is fun, thought-provoking and vital. His mission is to spread his music far and wide, to share his joy, to play his heart out, and to push the blues into the future. “There’s nothing I’d rather be doing than playing the blues,” he says. “And I try to convey that with every song and with every performance.”

PERFORMER BIO:

Groundbreaking young blues visionary Selwyn Birchwood released his highly anticipated third Alligator album, Living In A Burning House, on Friday, January 29, 2021. The rising guitar and lap steel player calls his original music “electric swamp funkin’ blues,” defined by raw and soulful musicianship played with fire-and-brimstone fervor. His gritty, unvarnished vocals draw his audience deep inside his unforgettable tales of love, passion, pain and pleasure. No other band on the current blues scene is built quite like Birchwood’s. In addition to Selwyn’s electrifying guitar and lap steel playing, the other featured instrument is Regi Oliver’s driving baritone sax. The group is rounded out by bass, drums and, for the first time, keyboards.

Wanting to capture the power of the now larger band, Birchwood wrote and arranged 13 new songs, and brought in famed Grammy Award-winning musician Tom Hambridge (Buddy Guy, Christone “Kingfish” Ingram, Susan Tedeschi) to produce. From the rocking opener I’d Climb Mountains to the sweet soul of She’s A Dime and One More Time to the hair-raising Revelation, Living In A Burning House features some of the most vividly striking writing on today’s blues scene. Birchwood’s voice and vision are clear, his sound is edgy and compelling, and his stories are memorable and lasting.

According to Birchwood, “I tell my stories in my own way, with my own voice. You won’t ever hear me on stage telling someone else’s story. Muddy Waters, B.B. King and John Lee Hooker all told their own stories. That’s what I’m doing.”

Since the 2014 release of his Alligator Records debut, Don’t Call No Ambulance, Birchwood’s meteoric rise from playing small Florida clubs to headlining international festival stages is nothing short of phenomenal. The album received the Blues Music Award and Living Blues Critics’ Award for Best Debut Album Of 2014, and he won the 2015 Blues Blast Rising Star Award. Rave reviews ran in publications from Rolling Stone to The Wall Street Journal, from The Chicago Tribune to The San Francisco Chronicle. He followed in 2016 with Pick Your Poison. DownBeat said, “There’s a deep-seated power about Birchwood’s singing and six string/lap steel guitar work…and there’s an unmistakable le emotion and honesty linking him to forebears like Muddy Waters. Thoughtful, persuasive and rugged.”

Birchwood and his band have crisscrossed the U.S. and Europe repeatedly, delivering unforgettable live performances. They have appeared domestically at festivals including The Chicago Blues Festival, Portland’s Waterfront Blues Festival, The Mississippi Valley Blues Festival, The Tampa Bay Blues Festival, The North Atlantic Blues Festival, The King Biscuit Blues Festival as well as on The Legendary Rhythm & Blues Cruise and Joe Bonamassa’s Keeping The Blues Alive At Sea. Internationally, they have performed at The Great British Rhythm & Blues Festival, Jazz a Vienne in France, the Rawa Blues Festival in Poland, the Moulin Blues Festival in the Netherlands, the Ottawa Blues Festival and the Montreal Jazz Festival in Canada, the Montreux Jazz Festival in Switzerland, as well as playing concerts in Spain, Norway, the Czech Republic, Ireland, Belgium and Mexico.

“I write and sing what I know,” says Birchwood, whose musical innovations are as expansive as his influences are deep. With Living In A Burning House, Selwyn Birchwood is looking forward to winning over thousands of new fans. “They say everything is better when it’s made with love,” says Birchwood. “That’s how we play our music and that’s how we made the new album. I want my audience to say, ‘I know exactly what that feels like,’ when a song hits them. Because that’s when it stops just being music and starts being medicine. After all, we are all stricken with the condition of being human.”

Selwyn Birchwood won the highly competitive, 2022 Blues Music Awards: Song of the Year for his original I’d Climb Mountains from his Alligator album, Living In A Burning House.